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Saturday Night in the Parthenon

Tiny green birds skate over the surface of the room.

A naked girl prepares a basin with steaming water,

And in the corner away from the hearth, the red

Of an up-ended chariot slowly turn.

After a long moment, the door to the other world

And the golden figure of a man appears.

He

Ruddy as a salmon beside the niche where are

The keepsakes of the Prince of Earth; then sadly, drawingA hammer out of his side, he advances to an oaken desk,

And being careful to strike in exact fury, pounds it to bits.

Another woman has by now taken her

Beside the bubbling tub.

Her legs are covered with a silken blue fur,

Which in places above the

Grows to the thickness of a lion's mane.

The upper sphere of her

Is gathered into huge creases by two jeweled pins.

Transparent little boots reveal

Which an angel could want.

Beneath her on the floor a beautiful cinnamon

Plays with a bunch of yellow grapes,

Its paws in and out like a boy being a silly king.

Her voice is round and white as she says:'Your bath is ready, darling.

Don't wait too long.'But he has already drawn away to the

And through its circular opening looks,

As a man into the pages of his death.'Terrible horsemen are setting fire to the earth.

Houses are burning… the people fly

The red spears of a speckled madness . . .''Please, dear,' interrupts the original woman,'We cannot help them… Under the cancerous

Of their hatred, they were born to perish -Like beasts in a well of spiders…Come now, sweet; the water will get cold.'A little wagon pulled by foxes lowers from the ceiling.

Three men are seated on its cushions which

Like purple breasts.

The head of one is

To the right, where on a bed of snails, a radiant

Is crowing sleepily; the heads of the other two are

Upward, as though in

Of an authority which is not easily apprehended.

Yet they act as one, lifting the baby from its rosy perch,

And depositing it gently in the tub.

The water hisses over its scream… a faint

Of horror floats up.

Then the three

With their hapless burden, and the tinny

Of the foxes dies on the air.'It hasn't grown cold yet,' the golden figure says,

And he strokes the belly of the second woman,

Running his hands over her fur like someone asleep.

They lie together under the shadow of a giant

Which polishes its thousand vises beside the fire.

Farther back, nearly obscured by kettles and chairs,

A second landscape can be seen; then a third, fourth,

Fifth… until the whole, fluted like a rose,

And webbed in a miraculous workmanship,

Ascends unto the seven

Where Tomorrow sits.

Slowly advancing down these shifting levels,

The white Queen of Heaven approaches.

Stars glitter in her hair.

A tree

Out of her side, and gazing through the

The eyes of the Beautiful gleam - 'Hurry, darling,'The first woman calls. 'The water is getting cold.'But he does not hear.

The hilt of the knife is carved like a

And like a scepter gently

Above his mutilated throat…Smiling like a fashionable hat, the furry

Walks quickly to the tub, and throwing

Her stained gown, eels into the water.

The other watches her sorrowfully; then,

Without haste, as one would strangle an owl,

She flicks the wheel of the chariot -

Which the black world bends…    without thrones or gates, without faith,    warmth or light for any of its creatures;    where even the children go mad -

As though unwound on a scroll, the

Of Everyman's murder winks back at God.

Farther away now, nearly hidden by the human,

Another landscape can be seen…And the wan, smiling Queen of Heaven

For a moment on the balconies of my chosen sleep.

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Kenneth Patchen

Kenneth Patchen (December 13, 1911 – January 8, 1972) was an American poet and novelist. He experimented with different forms of writing and inc…

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