Sadness
Dear ghosts, dear presences,
O my dear parents,
Why were you so sad on porches, whispering?
What great melancholies were loosed among our swings!
As before a storm one hears the leaves whispering And marks each small change in the atmosphere, So was it then to overhear and to fear.
But all things then were oracle and secret.
Remember the night when, lost, returning, we turned
Confused, and our headlights singled out the fox?
Our thoughts went with it then, turning and turning back With the same terror, into the deep thicket Beside the highway, at home in the dark thicket. 3I say the wood within is the dark wood,
Or wound no torn shirt can entirely bandage,
But the sad hand returns to it in
Repeatedly, encouraging the bandage To speak of that other world we might have borne, The lost world buried before it could be born.
Burchfield describes the pinched white souls of
Frothing the mouth of a derelict old
Just as an evil August night comes down,
All umber, but for one smudge of dusky carmine. It is the sky of a peculiar sadness— The other side perhaps of some rare gladness.
What is it to be happy, after all?
Of the first small joys.
Think of how our
Would whistle as they packed for the long summers,
Or, busy about the usual tasks of parents, Smile down at us suddenly for some secret reason, Or simply smile, not needing any reason.
But even in the summers we
The forest had its eyes, the sea its voices,
And there were roads no map would ever master,
Lost roads and moonless nights and ancient voices— And night crept down with an awful slowness toward the water; And there were lanterns once, doubled in the water.
Sadness has its own beauty, of course.
Toward dusk,
Let us say, the river darkens and look bruised,
And we stand looking out at it through rain.
It is as if life itself were somehow bruised And tender at this hour; and a few tears commence. Not that they are but that they feel immense.
Donald Justice
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It always comes, and when it comes they know To will it is enough to bring them there The knack is this, to fasten and not let go Their limbs are charmed; they cannot stay or go
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This poem is not addressed to you You may come into it briefly, But no one will find you here, no one You will have changed before the poem will Even while you sit there, unmovable, You have begun to vanish
Extraits
The Man Closing Up, from Night Light (1967), would make his bed, If he could sleep on it He would make his bed with white And disappear into the white,
On The Death Of Friends In Childhood
We shall not ever meet them bearded in Nor sunning themselves among the bald of hell; If anywhere, in the deserted schoolyard at twilight,forming a ring, perhaps, or joining In games whose very names we have forgotten