Cramm'd to the throat with wholesome moral stuff,
Alas! poor audience! you have had enough.
Was ever hapless heroine of a play In such a piteous plight as ours to-day?
Was ever woman so by love betray'd?
Match'd with two husbands, and yet—die a maid.
But bless me!—hold—What sounds are these I hear!— I see the Tragic Muse herself appear. [The back scene opens, and discovers a romantic sylvan landscape; from which Mrs.
Cibber, in the character of the Tragic Muse, advances slowly to music, and speaks the following lines]:
Hence with your flippant epilogue, that tries To wipe the virtuous tear from British eyes;
That dares my moral, tragic scene profane,
With strains—at best, unsuiting, light and vain.
Hence from the pure unsullied beams that play In yon fair eyes where virtue shines—Away!
Britons, to you from chaste Castalian groves,
Where dwell the tender, oft unhappy loves!
Where shades of heroes roam, each mighty name,
And court my aid to rise again to fame;
To you I come, to Freedom's noblest seat,
And in Britannia fix my last retreat.
In Greece and Rome,
I watch'd the public weal,
The purple tyrant trembled at my steel:
Nor did I less o'er private sorrows reign,
And mend the melting heart with softer pain.
On France and you then rose my brightening star,
With social ray—The arts are ne'er at war.
O, as your fire and genius stronger blaze,
As yours are generous Freedom's bolder lays,
Let not the Gallic taste leave yours behind,
In decent manners and in life refined;
Banish the motley mode to tag low verse,
The laughing ballad to the mournful hearse.
When through five acts your hearts have learnt to glow,
Touch'd with the sacred force of honest woe;
O keep the dear impression on your breast,
Nor idly loose it for a wretched jest.
