Though All The World
Though all the world should stand aside,
And leave you to your sorrow,
And you from none, or near, or wide,
A smile or tear could borrow;
I still would stand with arms outspread,
In love and trust unshaken,
To make a nest for that dear head,
By all the rest forsaken.
Come, let me crouch beside your knees,
And we will talk together— You who have passed o'er stormy seas,
And I through tranquil weather.
What is to me the shallow scoff Of pert or pious sneerer?
Let the base crowd move further off,
I only creep the nearer.
Sweet child! 'tis not your deep blue eyes,
Nor yet your raven tresses,
Nor that strange mystic look, more wise Than all your mouth expresses: 'Tis not your face, 'tis not your form,
Your accents bright and clever,
Which bind me with a strength enorm,
And make me yours for ever.
And yet, and yet, 'tis all of these,
But oh! 'tis something rarer,
Makes every pleasing grace more please,
And each fair charm the fairer. It is because your soul is high,
If your affections lowly,
That I prostrate myself and sigh Before a shrine too holy.
And if fell clouds quenched girlhood's beam,
And cast their shadow o'er it,
Your lustre now doth brighter seem For those dark days before it.
Like those fair lamps that change by night Their radiance with their motion— Burn low, then fling a flood of light Athwart the murky ocean.
Alfred Austin
Other author posts
John Everett Millais
Now let no passing—bell be tolled, Wail now no dirge of gloom; Nor around purple pall unfold The trappings of the tomb Dead
Impromptu
Tell me your race, your name, O Lady limned as dead, yet as when living fair That within this faded frame An unfading beauty wear Were you ever known to fame,
The Human Tragedy ACT II
Personages: Olympia— Godfrid— Gilbert— Olive Protagonists: Love— Religion Place: Spiaggiascura—Milan—Florence
Vis Medicatrix Naturae
When Faith turns false and Fancy grows unkind, And Fortune, more from fickleness than spite, Takes the keen savour out of all delight, And of sweet pulp leaves only bitter rind,
