I. The everlasting universe of things Flows through the mind, and rolls its rapid waves, Now dark—now glittering--now reflecting gloom-- Now lending splendour, where from secret springs The source of human thought its tribute brings Of waters--with a sound but half its own, Such as a feeble brook will oft assume, In the wild woods, among the mountains lone, Where waterfalls around it leap for ever, Where woods and winds contend, and a vast river Over its rocks ceaselessly bursts and raves.
II. Thus thou,
Ravine of Arve—dark, deep Ravine-- Thou many-colour'd, many-voiced vale, Over whose pines, and crags, and caverns sail Fast cloud-shadows and sunbeams: awful scene, Where Power in likeness of the Arve comes down From the ice-gulfs that gird his secret throne, Bursting through these dark mountains like the flame Of lightning through the tempest;--thou dost lie, Thy giant brood of pines around thee clinging, Children of elder time, in whose devotion The chainless winds still come and ever came To drink their odours, and their mighty swinging To hear—an old and solemn harmony; Thine earthly rainbows stretch'd across the sweep Of the aethereal waterfall, whose veil Robes some unsculptur'd image; the strange sleep Which when the voices of the desert fail Wraps all in its own deep eternity; Thy caverns echoing to the Arve's commotion, A loud, lone sound no other sound can tame; Thou art pervaded with that ceaseless motion, Thou art the path of that unresting sound— Dizzy Ravine! and when I gaze on thee I seem as in a trance sublime and strange To muse on my own separate fantasy, My own, my human mind, which passively Now renders and receives fast influencings, Holding an unremitting interchange With the clear universe of things around; One legion of wild thoughts, whose wandering wings Now float above thy darkness, and now rest Where that or thou art no unbidden guest, In the still cave of the witch Poesy, Seeking among the shadows that pass by Ghosts of all things that are, some shade of thee, Some phantom, some faint image; till the breast From which they fled recalls them, thou art there!
II. Some say that gleams of a remoter world Visit the soul in sleep, that death is slumber, And that its shapes the busy thoughts outnumber Of those who wake and live.—I look on high; Has some unknown omnipotence unfurl'd The veil of life and death? or do I lie In dream, and does the mightier world of sleep Spread far around and inaccessibly Its circles?
For the very spirit fails, Driven like a homeless cloud from steep to steep That vanishes among the viewless gales! Far, far above, piercing the infinite sky, Mont Blanc appears—still, snowy, and serene; Its subject mountains their unearthly forms Pile around it, ice and rock; broad vales between Of frozen floods, unfathomable deeps, Blue as the overhanging heaven, that spread And wind among the accumulated steeps; A desert peopled by the storms alone, Save when the eagle brings some hunter's bone, And the wolf tracks her there--how hideously Its shapes are heap'd around! rude, bare, and high, Ghastly, and scarr'd, and riven. --Is this the scene Where the old Earthquake-daemon taught her young Ruin?
Were these their toys? or did a sea Of fire envelop once this silent snow? None can reply -- all seems eternal now. The wilderness has a mysterious tongue Which teaches awful doubt, or faith so mild, So solemn, so serene, that man may be, But for such faith, with Nature reconcil'd; Thou hast a voice, great Mountain, to repeal Large codes of fraud and woe; not understood By all, but which the wise, and great, and good Interpret, or make felt, or deeply feel.
IV. The fields, the lakes, the forests, and the streams, Ocean, and all the living things that dwell Within the daedal earth; lightning, and rain, Earthquake, and fiery flood, and hurricane, The torpor of the year when feeble dreams Visit the hidden buds, or dreamless sleep Holds every future leaf and flower; the bound With which from that detested trance they leap; The works and ways of man, their death and birth, And that of him and all that his may be; All things that move and breathe with toil and sound Are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, Remote, serene, and inaccessible: And this, the naked countenance of earth, On which I gaze, even these primeval mountains Teach the adverting mind.
The glaciers creep Like snakes that watch their prey, from their far fountains, Slow rolling on; there, many a precipice Frost and the Sun in scorn of mortal power Have pil'd: dome, pyramid, and pinnacle, A city of death, distinct with many a tower And wall impregnable of beaming ice. Yet not a city, but a flood of ruin Is there, that from the boundaries of the sky Rolls its perpetual stream; vast pines are strewing Its destin'd path, or in the mangled soil Branchless and shatter'd stand; the rocks, drawn down From yon remotest waste, have overthrown The limits of the dead and living world, Never to be reclaim'd.
The dwelling-place Of insects, beasts, and birds, becomes its spoil; Their food and their retreat for ever gone, So much of life and joy is lost.
The race Of man flies far in dread; his work and dwelling Vanish, like smoke before the tempest's stream, And their place is not known.
Below, vast caves Shine in the rushing torrents' restless gleam, Which from those secret chasms in tumult welling Meet in the vale, and one majestic River, The breath and blood of distant lands, for ever Rolls its loud waters to the ocean-waves, Breathes its swift vapours to the circling air.
V. Mont Blanc yet gleams on high:--the power is there, The still and solemn power of many sights, And many sounds, and much of life and death. In the calm darkness of the moonless nights, In the lone glare of day, the snows descend Upon that Mountain; none beholds them there, Nor when the flakes burn in the sinking sun, Or the star-beams dart through them.
Winds contend Silently there, and heap the snow with breath Rapid and strong, but silently!
Its home The voiceless lightning in these solitudes Keeps innocently, and like vapour broods Over the snow.
The secret Strength of things Which governs thought, and to the infinite dome Of Heaven is as a law, inhabits thee! And what were thou, and earth, and stars, and sea, If to the human mind's imaginings Silence and solitude were vacancy?
Composed in Switzerland,
July, 1816 (see date below).
Printed at the end of the History of a Six Weeks' Tour published by Shelley in 1817, and reprinted with Posthumous Poems, 1824.
Amongst the Boscombe manuscripts is a draft of this Ode, mainly in pencil, which has been collated by Dr.
Garnett.1.
In the preface of Mary Shelley's History of a Six Weeks Tour (1817),
Shelley writes: "the poem was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe\; and, as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untamable wildness and inaccessible solemnity from which those feelings sprang." Shelley's prose account of his reaction to the first sight of Mont Blanc is in a letter written on July 24 to T.
L.
Peacock.1-2.
For a prose exposition of what Shelley calls "the intellectual philosophy," see his essay On Life: "I confess that I am one of those who am unable to refuse my assent to the conclusions of those philosophers who assert that nothing exists but as it is perceived ....
The difference is merely nominal between those two classes of thought which are vulgarly distinguished by the names of ideas and of external objects. ...
The existence of distinct individual minds ... is likewise found to be a delusion.
The words,
I, you, they, are ... merely marks employed to denote the different modifications of the one mind. ...
By the word things is to be understood any object of thought. ...
The relations of things remain unchanged [in the intellectual philosophy]\; and such is the material of our knowledge."53.
Unfurl'd. "Rolled back" or merely "furled" is the meaning required by the sense of the passage. "Upfurled" has been suggested as the word Shelley intended.76-83.
For a related argument see Queen Mab,
VI, 197-219.79.
But for such faith.
A surviving pencil draft of the poem reads "in such a faith," which confirms the likelihood that this phrase is intended to mean "even with such faith alone," rather than "except for such faith."
