1922: the stone porch of my Grandfather’s summer houseI“I won’t go with you.
I want to stay with Grandpa!” That’s how I threw cold water on my Mother and Father’s watery martini pipe dreams at Sunday dinner. ...
Fontainebleau,
Mattapoisett,
Puget Sound....
Nowhere was anywhere after a summer at my Grandfather’s farm.
Diamond-pointed, athirst and Norman, its alley of poplars paraded from Grandmother’s rose garden to a scary stand of virgin pine, scrub, and paths forever pioneering.
One afternoon in 1922,
I sat on the stone porch, looking through screens as black-grained as drifting coal.
Tockytock, tockytock clumped our Alpine,
Edwardian cuckoo clock, slung with strangled, wooden game.
Our farmer was cementing a root-house under the hill.
One of my hands was cool on a pile of black earth, the other warm on a pile of lime.
All about me were the works of my Grandfather’s hands: snapshots of his Liberty Bell silver mine; his high school at Stuttgart am Neckar; stogie-brown beams; fools’-gold nuggets; octagonal red tiles, sweaty with a secret dank, crummy with ant-stale; a Rocky Mountain chaise longue, its legs, shellacked saplings.
A pastel-pale Huckleberry Finn fished with a broom straw in a basin hollowed out of a millstone.
Like my Grandfather, the décor was manly, comfortable, overbearing, disproportioned.
What were those sunflowers?
Pumpkins floating shoulder-high?
It was sunset,
Sadie and Nellie bearing pitchers of ice-tea, oranges, lemons, mint, and peppermints, and the jug of shandygaff, which Grandpa made by blending half and half yeasty, wheezing homemade sarsaparilla with beer.
The farm, entitled Char-de-sa in the Social Register, was named for my Grandfather’s children:
Charlotte,
Devereux, and Sarah.
No one had died there in my lifetime ...
Only Cinder, our Scottie puppy paralyzed from gobbling toads.
I sat mixing black earth and lime.
II was five and a half.
My formal pearl gray shorts had been worn for three minutes.
My perfection was the Olympian poise of my models in the imperishable autumn display windows of Rogers Peet’s boys’ store below the State House in Boston.
Distorting drops of water pinpricked my face in the basin’s mirror.
I was a stuffed toucan with a bibulous, multicolored beak.
Up in the air by the lakeview window in the billiards-room, lurid in the doldrums of the sunset hour, my Great Aunt Sarah was learning Samson and Delilah.
She thundered on the keyboard of her dummy piano, with gauze curtains like a boudoir table, accordionlike yet soundless.
It had been bought to spare the nerves of my Grandmother, tone-deaf, quick as a cricket, now needing a fourth for “Auction,” and casting a thirsty eye on Aunt Sarah, risen like the phoenix from her bed of troublesome snacks and Tauchnitz classics.
Forty years earlier, twenty, auburn headed, grasshopper notes of genius!
Family gossip says Aunt Sarah tilted her archaic Athenian nose and jilted an Astor.
Each morning she practiced on the grand piano at Symphony Hall, deathlike in the off-season summer— its naked Greek statues draped with purple like the saints in Holy Week....
On the recital day, she failed to appear.
VI picked with a clean finger nail at the blue anchor on my sailor blouse washed white as a spinnaker.
What in the world was I wishing? ...
A sail-colored horse browsing in the bullrushes ...
A fluff of the west wind puffing my blouse, kiting me over our seven chimneys, troubling the waters....
As small as sapphires were the ponds:
Quittacus,
Snippituit, and Assawompset, halved by “the Island,” where my Uncle’s duck blind floated in a barrage of smoke-clouds.
Double-barreled shotguns stuck out like bundles of baby crow-bars.
A single sculler in a camouflaged kayak was quacking to the decoys....
At the cabin between the waters, the nearest windows were already boarded.
Uncle Devereux was closing camp for the winter.
As if posed for “the engagement photograph,” he was wearing his severe war-uniform of a volunteer Canadian officer.
Daylight from the doorway riddled his student posters, tacked helter-skelter on walls as raw as a boardwalk.
Mr.
Punch, a water melon in hockey tights, was tossing off a decanter of Scotch.
La Belle France in a red, white and blue toga was accepting the arm of her “protector,” the ingenu and porcine Edward
II.
The pre-war music hall belles had goose necks, glorious signatures, beauty-moles, and coils of hair like rooster tails.
The finest poster was two or three young men in khaki kilts being bushwhacked on the veldt— They were almost life-size....
My Uncle was dying at twenty-nine. “You are behaving like children,” said my Grandfather, when my Uncle and Aunt left their three baby daughters, and sailed for Europe on a last honeymoon ...
I cowered in terror.
I wasn’t a child at all— unseen and all-seeing,
I was Agrippina in the Golden House of Nero....
Near me was the white measuring-door my Grandfather had penciled with my Uncle’s heights.
In 1911, he had stopped growing at just six feet.
While I sat on the tiles, and dug at the anchor on my sailor blouse,
Uncle Devereux stood behind me.
He was as brushed as Bayard, our riding horse.
His face was putty.
His blue coat and white trousers grew sharper and straighter.
His coat was a blue jay’s tail, his trousers were solid cream from the top of the bottle.
He was animated, hierarchical, like a ginger snap man in a clothes-press.
He was dying of the incurable Hodgkin’s disease....
My hands were warm, then cool, on the piles of earth and lime, a black pile and a white pile....
Come winter,
Uncle Devereux would blend to the one color.
