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The Leash

After the birthing of bombs of forks and fear

the frantic automatic weapons unleashed,

the spray of bullets into a crowd holding hands,

that brute sky opening in a slate metal maw

that swallows only the unsayable in each of us, what’s

left? Even the hidden nowhere river is poisoned

orange and acidic by a coal mine. How can

you not fear humanity, want to lick the creek

bottom dry, to suck the deadly water up into

your own lungs, like venom? Reader, I want to

say: Don’t die. Even when silvery fish after fish

comes back belly up, and the country plummets

into a crepitating crater of hatred, isn’t there still

something singing? The truth is: I don’t know.

But sometimes, I swear I hear it, the wound closing

like a rusted-over garage door, and I can still move

my living limbs into the world without too much

pain, can still marvel at how the dog runs straight

toward the pickup trucks break-necking down

the road, because she thinks she loves them,

because she’s sure, without a doubt, that the loud

roaring things will love her back, her soft small self

alive with desire to share her goddamn enthusiasm,

until I yank the leash back to save her because

I want her to survive forever. Don’t die, I say,

and we decide to walk for a bit longer, starlings

high and fevered above us, winter coming to lay

her cold corpse down upon this little plot of earth.

Perhaps we are always hurtling our body towards

the thing that will obliterate us, begging for love

from the speeding passage of time, and so maybe,

like the dog obedient at my heels, we can walk together

peacefully, at least until the next truck comes.

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Ada Limón

Ada Limón is the author of Lucky Wreck (2006), This Big Fake World (2006), Sharks in the Rivers (2010), and Bright Dead Things (2015), a finalis…

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