The state with the prettiest name,the state that floats in brackish water,held together by mangrave rootsthat bear while living oysters in clusters, and when dead strew white swamps with skeletons, dotted as if bombarded, with green hummockslike ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white,and unseen hysterical birds who rush up the scaleevery time in a tantrum.
Tanagers embarrassed by their flashiness,and pelicans whose delight it is to clown;who coast for fun on the strong tidal currentsin and out among the mangrove islandsand stand on the sand-bars drying their damp gold wingson sun-lit evenings.
Enormous turtles, helpless and mild,die and leave their barnacled shells on the beaches,and their large white skulls with round eye-socketstwice the size of a man's.
The palm trees clatter in the stiff breezelike the bills of the pelicans.
The tropical rain comes downto freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia, parti-colored pectins and Ladies' Ears,arranged as on a gray rag of rotted calico, the buried Indian Princess's skirt;with these the monotonous, endless, sagging coast-lineis delicately ornamented.
Thirty or more buzzards are drifting down, down, down,over something they have spotted in the swamp,in circles like stirred-up flakes of sedimentsinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoesgo hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marshuntil the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,and the careless, corrupt state is all black speckstoo far apart, and ugly whites; the poorestpost-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:friendliness, love, mating, war, and a warning—whimpers and speaks in the throatof the Indian Princess.
