On the Road to the Sea
We passed each other, turned and stopped for half an hour, then went our way,
I who make other women smile did not make you—But no man can move mountains in a day.
So this hard thing is yet to do.
But first I want your life:—before I die I want to
The world that lies behind the strangeness of your eyes,
There is nothing gay or green there for my gathering, it may be,
Yet on brown fields there liesA haunting purple bloom: is there not something in grey
And in grey sea?
I want what world there is behind your eyes,
I want your life and you will not give it me.
Now, if I look,
I see you walking down the years,
Young, and through August fields—a face, a thought, a swinging dreamperched on a stile—;
I would have liked (so vile we are!) to have taught you
But most to have made you smile.
To-day is not enough or yesterday:
God sees it all—Your length on sunny lawns, the wakeful rainy nights—; tell me—;(how vain to ask), but it is not a question—just a call—;
Show me then, only your notched inches climbing up the garden wall,
I like you best when you are small.
Is this a stupid thing to
Not having spent with you one day?
No matter;
I shall never touch your
Or hear the little tick behind your breast,
Still it is there,
And as a flying
Brushes the branches where it may not restI have brushed your hand and
The child in you:
I like that
So small, so dark, so sweet; and were you also then too grave and wise?
Always I think.
Then put your far off little hand in mine;—Oh! let it rest;
I will not stare into the early world beyond the opening eyes,
Or vex or scare what I love best.
But I want your life before mine bleeds away—Here—not in heavenly hereafters—soon,—I want your smile this very afternoon,(The last of all my vices, pleasant people used to say,
I wanted and I sometimes got—the Moon!) You know, at dusk, the last bird's cry,
And round the house the flap of the bat's low flight,
Trees that go black against the
And then—how soon the night!
No shadow of you on any bright road again,
And at the darkening end of this—what voice? whose kiss?
As if you'd say!
It is not I who have walked with you, it will not be I who take
Peace, peace, my little handful of the gleaner's
From your reaped fields at the shut of day.
Peace!
Would you not rather
Reeling,—with all the cannons at your ear?
So, at least, would I,
And I may not be
To-night, to-morrow morning or next year.
Still I will let you keep your life a little while,
See dear?
I have made you smile.
Charlotte Mary Mew
Другие работы автора
In Nunhead Cemetery
It is the clay what makes the earth stick to his spade; He fills in holes like this year after year; The others have gone; they were tired, and half But I would rather be standing here;
The Peddler
Lend me, a little while, the That locks your heavy heart, and I'll give you back—Rarer than books and ribbons and beads bright to see, This little Key of Dreams out of my pack The road, the road, beyond men's bolted doors,
From a Window
Up here, with June, the sycamore throws Across the window a whispering screen; I shall miss the sycamore more I suppose, Than anything else on this earth that is out in green But I mean to go through the door without fear, Not caring muc...
Monsieur Qui Passe
A purple blot against the dead white In my friend's rooms, bathed in their vile pink light, I had not noticed her She snatched my eyes and threw them back to me: